An exploration on the material existence of the visual form of language, its capacity to be, to exist in its own right on an equal stature with the graspable, dimensional objects of the real world. Based both on a theoretical model of materiality constructed primarily with respect to visual signification, as well as visible language's corporeal nature.
Light; architecture. Photography’s ability to capture the visually apprehendable. Vision as a tactile experience.
js@lindiu.com
07964 927 138
